One of the many things I love about New York City is the
ability to enjoy a lot of what the city has to offer on a budget. In fact, there are plenty of things to do and
see at no cost – just the way I like it.
The Museum at the Fashion Institute of Technology, located 7th
Avenue (or so-called Fashion Avenue), is one of several museums that are free
to public. Although small, the museum
offers visitors insight into the fascinating world of fashion through its
various exhibitions and permanent collections.
The Body: Fashion and Physique exhibition is an interesting
look at the relationship between fashion and culture, specifically cultural
norms related to the human body. A
thought-provoking concept presented in the description of the exhibition is
that of the fashionable body as a “cultural construct that has shifted
throughout history”. The garments and
undergarments on display take visitors on a journey through these shifting
ideals of the perfect form and ways in which fashion has responded to those
norms while at the same time also shaping them – literally. A quote from Vogue magazine from the 1950s,
which appears in the information brochure for the exhibition, sums up this
interconnectedness perfectly: “We tend, in these times, in this country, to
think of a beautiful body only in terms of a perfect ‘figure’. A ‘figure’…is considered good or bad only as
related to clothing generally, and current fashions specifically.” It was fascinating to take this visual walk
back in time through the examples of the fashionable or ideal body types that
dominated various periods.
The other current exhibition is titled Norell: Dean of
American Fashion and features over 100 looks from the iconic American designer,
who designed sophisticated garments for movie stars and politicians’
wives. According to the brochure that
accompanies the exhibition, he was a pioneer in American couture techniques and
“one of the primary creators to profoundly alter existing perceptions about New
York’s Seventh Avenue garment industry” which had been referred to as the “rag
trade”. The garments are beautifully
displayed in a dark room with subtle lighting to highlight the beautiful lines
and fabrics. Some of the highlights of
the exhibition include the collection of shimmering “mermaid” evening gowns,
his reinvented sailor suits and the structured wool coats and capes. It was a truly captivating snapshot into the
life and career of a talented designer, who deserves the title “Dean of
American Fashion”.
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